The first button, labelled Engage (red LED), passes the signal through both channels of the compressor circuitry. Bass Cut turns down low-end below 60Hz, so it will not overreact to low frequency content or create “pumping” along with the beat. Taking modern loudness seriously while prioritizing clear, open sound, The COMPRESSOR is pioneering a new and innovative approach to modern compression for today’s most discriminating tracking, mixing and mastering engineers. Dangerous Music have become well known over the last 14 years for their range of analogue monitor controllers, source switchers, and summing boxes, all of which are great–sounding and thoughtfully designed products. It’s very open, clean and natural at the top end, and tight, focussed and accurate at the bottom. The attack response appears much faster in this mode. ©2020 DANGEROUS MUSIC. Audio signal attenuation is courtesy of THAT 2181 Blackmer VCAs, controlled from a combination of THAT 2252 RMS level detector chips and some custom circuitry involving Analog Devices AD8513 J–FET op amps. If you need more precise settings for attack and release, simply press the “Manual Att/Rel” button and start tweaking. A shot of the interior. Tedious vocal level rides can be handed over to The Dangerous COMPRESSOR’s VCA as if it were a trusted assistant intuitively riding a fader. This level of open musicality is unique even among the small field of transparent compressors, putting The COMPRESSOR in a class of its own where sounding transparent and beautiful is no longer a paradox. The test signal alternates between –20 and –10 dBFS. As I said before, I often found myself bypassing the compressor to convince myself that it really was wired in and doing what the meters said it was doing. And when I bypassed the Compressor, all the quieter details I could hear fell away — so it was was definitely doing something very useful, but in the most natural, unobtrusive way. Media Videos Images Overview. There is a -6dB offset button so that loud material is always hovering in a usable range, perfect for visually monitoring average levels. Mastering Essentials Part 3 - How loud should I master? A pair of recessed multi–turn trimmers allows the meter zero point to be adjusted when switched to the gain-reduction mode, compensating for any side–chain control–voltage drift that might occur over time. With the signal-level mode selected, the second button selects either output (on) or input level. This compressor is very easy to use and performs superbly, controlling the dynamics in an extremely transparent but effective manner. The Dangerous COMPRESSOR is decidedly in the latter category, delivering crystal clear compression that allows you to easily alter and control dynamics without drastically changing the original sound. This allows The COMPRESSOR to deliver crystal clear and rock solid stereo imaging when processing a full mix, a drum buss, a finished master or any stereo material. The VCA chips are the black rectangles to the left of the large black capacitors. The Dangerous COMPRESSOR is so transparent and simple to operate, it works on any source (vocals, drums, mix buss…), style (Jazz, Hip Hop, Pop, Metal, R&B…) and can handle an array of tasks often left to automation and EQ during tracking, mixing and mastering. All Rights Reserved. These are the default attack/release settings of 30msAttack and release set to minimum manual times. In typical Dangerous fashion, nothing is sacrificed, and The COMPRESSOR delivers intelligent, innovative, easy-to-use features with unsurpassed sound. 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