The low frequency of this microphone avoids the background sound distractions and vibrations to record the natural sound of instruments. This Condenser microphone is finished with a ceramic coating that gives it corrosion resistance property in order to make it more durable. I ask because this is something I see a lot and I’ve never understood it. A coincident array works because the centre of the stereo image is off axis by the same amount for both mics and as sounds move away from the centre they move into the most sensitive axis for one mic while moving further into an area of reduced sensitivity for the other. It has a low-mass diaphragm that helps reduce the background noise and records transparent sound by removing low-frequency distortions. Anything that ‘works’ is fine but I do return to my question - Why do people use spaced cardioids on drums? However, if you are new to the drumming world, the lesser mics you use, the higher is the probability of your recording sounding clear and precise as you want it. By using this microphone in your studio, you can record your vocals and acoustic instruments clearly with high precision. A good example is the various “pseudo-stereo” two mic techniques often used to capture acoustic guitars. I don’t know what they’re hearing but if you first imagine that probably the most important role of a rock and roll or R&B set is to have a very strong kick and snare centre image, it follows that your overheads want to be equidistant from your kick and snare so you have a balanced centre image. Drum mics cannot be just simply set up at any place where you want to, but their assembly should be planned, and you should know about how each mic functions clearly to achieve the best results. This stereo set condenser microphone is based on the company’s KM series mics that are versatile in use. All you need is a pair of Best Drum Overhead Mic Stands, and you’ll surely ace these arrangements. Behringer C-2 Condenser Microphones Matched Pair. This classic microphone is made up of high-quality material that ensures its long-term durability and working capacity. For me there’s a bit of procedure that doesn’t vary — I do the same thing essentially every time. George Massenburg agrees: “Most engineers put the overheads in exactly the wrong place. Next up on our list is the … So depending on how wide your sound source is and how far you are from it, there are mic placements that will be “right”, with the sound source properly filling the space between the speakers, and placements that are “wrong”, with the sound source not being adequately accommodated in the space between the speakers, by being either too narrow or too wide, if sounds are too wide then everything on the edges gets piled up on top of each other. If the mics are as close as possible we get XY, with the mutual angle between the mics and the polar pattern being the things that affect the SRA. Seems a pity though! The opposite happens if the mics are facing towards each other and the timing differences and level differences are likely to work against each other! At 5 feet apart (I’m approximating lots of examples here) the SRA between a pair of parallel cardioids is 40º. The drum mics that are right above the drums as you beat them are known as overhead mics or generically drum overheads. This is an exact science and can get complicated. Some are very specifically defined like NOS or ORTF, others less so, like AB or Decca Tree. Drum overheads are the part of drum kit utilized in live sound recording to get surrounding sounds and the general mix of instruments recorded better. The term used to describe this is the SRA or Stereo Recording Angle. Article Content. There is a lot of common ground between recording and live sound but there’s a great deal that’s different. Taking the idea of how something looks slightly further, the “live sound” overheads arrangement is visually symmetrical - something which shouldn’t be overlooked. Another suggestion is that cardioid mics are the default. Drum Overheads - A Stereo Pair Or Cymbal Spot Mics? I'll probably go with either AKG C414s or Neumann TLM103s. There also some “wrong” ways which, while they might sound good (and if it sounds good then it probably is good) strictly speaking are not “stereo”.