Developing a good slide guitar technique is one of the most critical things to learn when playing slide guitar in standard tuning. by Steve Flack. Design, CMS, Hosting & Web Development :: ePublishing, On PremierGuitar.com, "Sponsored Content" refers to articles, videos, or audio recordings that are produced or curated by an advertiser but that. Root 6 E Mixolydian with b3 (starting on D) 0 … Our first lick (Ex. This works great over a G7 vamp. It starts with a jangling open-string lick that you could see as E–E7–Aadd9–G6 with the top two strings ringing out. Blues in flat keys! 10 is probably the most difficult of these examples. Think musically and dynamically, and the sounds will come. This lick is commonly played with fingers, but here we’ll be playing the double-stops with the slide and focusing on heavy legato. 7 has a strong swing feel and could be played over a shuffle. 4 is all about getting the most out of the melody by just using one string. Hooked: Kenny Wayne Shepherd on Jimi Hendrix's "Voodoo Child (Slight Return)", 4. Try to be as expressive as you can—think like a vocalist. Ariel has spent the last few years touring around the world and recording with Juno award-winners The Bros. Landreth. Where Ex. Also in A, Ex. First Look: Hughes & Kettner Spirit Nano Series. In this course, after a few advices we gonna go through 20 Blues Rock licks in standard tuning. Terms Of Use. Slide Guitar Licks in Standard Tuning. This lick affords the opportunity to hit each target note properly, and also illuminates the benefit of the open tuning in that the notes of an E major triad (E, B and G#) are … 7 9 6 7 9 6 7 9 7 8 9 10 12 7 9 10 12. In this slide guitar lesson, I’m going to break down a slide guitar lick that is played in standard tuning and can be used over any 12 bar blues progression. It takes skill and practice to merge the two techniques, but the resulting sounds are well worth the effort. Play the first measure normally and then bring in the slide for the notes on the 3rd string, while quickly shifting to fingers to fret the notes on the offbeats. Here’s a thought: You don’t have to exclusively stick to slide technique when that bottleneck is on your finger. 8 is in Ab and starts with some diminished sounds before it straightens out on the minor pentatonic with the slide. As in Ex. The first decision is what kind of slide to use — glass, metal or ceramic. 2, which illustrates a good way to hot-rod whatever pentatonic shapes you’ve grown bored with. All Rights Reserved Muting unused strings with the picking hand is an essential part of playing slide guitar. A blues lick in C, Ex. For this lesson, we’ll explore how to sneak the slide into your “normal” fretted licks. Don’t switch back and forth between the two styles … instead, make them one! Ex. Fret the first half with … Things get a little trickier in Ex. The slide guitar is one of the most expressive technique to spice up your guitar chops. Drone Logic: Learn to Play Slide Guitar in Tune, 1. Fret the first half with your fingers, and then use the slide for all the notes on the 2nd string. 4 is all about getting the most out of the melody by just using one string. Follow up with a descending run in the minor pentatonic scale. Fittingly, Ex. PRS SE Hollowbody II Piezo: The PG Review, 3. #mc_embed_signup{background:#fff; clear:left; font:14px Helvetica,Arial,sans-serif; width:100%;} Root 5 E Mixolydian with b3. For the first notes of measure one and measure three, use the slide to “bend” the note just a bit before the pull-offs. Click here to download a printable PDF of this lesson's notation. Ariel Posen is an internationally acclaimed guitarist born and raised in Winnipeg, Canada. Most of these examples are based around feel, and don’t rely solely on technique, although that will help. 6, which is in 3/4 and begins with the slide and a 6th-string drone that creates a sitar-like sound. Let’s move to the key of A for Ex. A great way to get started with slide guitar is to play in standard tuning, which allows you to focus on all the essentials of fret-hand touch and pick-hand articulation without having to address the issue of re-learning the fretboard and chord forms in an alternate tuning. Ex. We also do some string skipping with the slide, so when moving it across the fretboard, be sure to use your picking hand to mute the strings you aren’t playing. To widen possibilities, we will also learn to fret behind the slide. */, Copyright ©2020. As we launch into these examples, it’s important to think of your slide finger as a normal finger with a slight extension that lets you emphasize legato lines. Just remember to keep your slide hand relaxed, stick with it, and have fun. 3, but here we’re sliding from the 12th fret on the G string up a half-step before plucking a double-stop at the 14th fret to flesh out that E triad. It’s important to tip the slide when you’re playing behind it with your fingers, so you don’t lose the resonance on the 7th fret. Privacy Policy | 3 starts in the lower register in open position and then uses the slide to outline the A major pentatonic scale (A–B–C#–E–F#). This is a common blues slide guitar lick and sounds great for beginning or advanced players. 9. 5 starts in open position, where we have some lower register double-stop licks. /* Add your own Mailchimp form style overrides in your site stylesheet or in this style block. Slide Guitar Licks in Standard Tuning. Ex. 4, we have a lot of movement on the 2nd and 3rd strings, so try to be extra expressive. Follow that up with a similar movement with the slide from Ex. Your Pedalboards 2020: Part Deux, 1. Ex. 3 focused on the major pentatonic, this lick outlines the minor pentatonic. Note that this lick requires a little bit of playing behind the slide with your index finger to grab that F# at the 4th fret. All the licks are … Just as in the first lick, a note is sounded on each downbeat here, but now each successive note moves from the first, to the second, to the third, to the fourth string, sounded with a “slide up” to each of these notes. Why not use those three other fingers? Next up is Ex. This line is followed by a simple E minor blues lick that ends on the 3 (G#), while still droning the low E. A classic and swampy blues lick. I hope you’ve enjoyed this foray into integrating slide with fretted notes. For these examples, we’ll focus on mostly roots and blues-style licks in standard tuning. Let me know how you get on with these examples, and feel free to get in touch with me. 1) is based around a G minor pentatonic scale (G–Bb–C–D–F). We recommend moving this block and the preceding CSS link to the HEAD of your HTML file. We begin with a double-stop in the lower register, while using the slide on the 7th fret.