The only remaining problem is how you will be able to assign a … Ratio: 2:1 (Low) to 10:1 (High) Threshold: Set your threshold below the level of your transient peaks. The exact level is dependent … You want to use a slow release time to ensure the compressor remains engaged from the tail end of one transient to the beginning of the next transient. Set the knee dependent on the sound you are compressing. Compression on the master bus should have a slow release. This changes how the gain reduction behaves around the threshold level, but not all compressors have this. The attack time was always 5 ms. If you want it to slam in and sound mechanical, then go for a hard knee – it’s good for drums, bass etc. A short release can make your compression sound unnatural and digital, whereas a slow release will make it sound smoother. The release refers to how long it takes for the compressor to revert to normal, or to an uncompressed state. In a multiband compressor, it lets you assign different compressor settings (threshold, compression ratio, attack and release times) for every frequency band or range. Knee . What are some situations that you'd set a slower release when it comes to compression ? As you can see, there are no attack and release values that are ideal for every track. Applying compression with extremely short release time will cause the signal to be almost instantly released to no compression when the signal falls below the threshold. For example if your multiband compressor has 3 bands (bass, mid and high frequency range), you can assign 3 compression settings for each of those bands. my subreddits. Faster releases can create a pumping effect whilst slow release times are much smoother. Understand Multiband Compression Recommended Settings for Delayed Compression. 6. The wrong settings, such as a very slow release on an uptempo rock track, can choke your mix, while a release time that is too fast can cause uncomfortable 'pumping' effects that undermine the 'feel' of the music. Since sudden jumps in volume can cause an instrument to sound unnatural or distorted, we generally want to avoid extremely short attack and release times. Attack: 100+ ms; Release: Variable based on song tempo. Short releases are often good for drums. Slow release helps keep the compression transparent, so anything that you are compressing that needs to maintain it's natural feel needs a slower release. Watching the swing of the gain–reduction VU meter is an invaluable aid to setting appropriate release times. Release. Compression speed was dictated by the time constants of a one-pole-filter power-smoothing circuit (the so-called RC time constants; Kates, 1993). Knee. When you get them right, your compressor works almost invisibly, but when those settings are too fast or too slow for the music, compression becomes obvious and intrusive. The release time was 10 ms in the fast compression condition and 500 ms in the slow condition. edit subscriptions. jump to content. This is how hard or soft the compression will be. popular-all-random-users | AskReddit-news-pics-funny-todayilearned-aww-worldnews-videos-Jokes-personalfinance-gaming-movies-tifu-gifs-Showerthoughts-mildlyinteresting-OldSchoolCool -explainlikeimfive-science-nottheonion-LifeProTips-television …