I remember when he went solo, and I remember when he cut his dreads. Get in touch: I'd like to receive the free email course. It is very difficult to find even half-decent cymbals and hats in a Hip-Hop drum library. Share ideas. In the meantime, have a listen to the sound I chose for the top end: This is a softer sounding drum, with a slightly old, and flat sounding top end, which should help to create a nice distinctive drum - the top end will often be where the character comes into your kick. And while that’s not a bad thing, the whole mode of hustling and being business-minded can take away from the fun. The result speaks for itself. I grew up with Rakim, Big Daddy Kane, Biggie, Arrested Development. I think today’s drums hit harder, sample-style producers are using more exciting chops and blends, and I think the sequencer/synth-style producers have come to develop a new style of Hip-Hop that enriches the overall music culture. We just sent a download link to your inbox. I'll now do the opposite to remove the low end from the high kick sample. However, that brings about an inherent problem: room sound. 2. This short series of quick tips is designed to give you a good overview of the audio processing techniques involved in creating a professional sounding drum beat for use in house, electro and breaks in Cubase. But when have Hip-Hop heads ever done “what was intended?”. The second was my compressor which has a modification that would be considered a technical flaw. Using amplitude envelopes or fades is a pretty useful technique for tightening up … Load in the envelope shaper plugin (found in the dynamics menu) and increase the attack section - you should hear a definite increase in the punch and 'slap' of the drum, which will really help it to cut through the mix. In this part we will look at the kick drum. Everything you need for your next creative project. I’ve been listening since Busta Rhymes was in Leaders of The New School. If you're compressing heavily you may well find that you lose some bass energy from your kick, so another EQ on the whole group might be necessary. The bypass circuit on the peak limiter section only removes the compression stage from the chain, but the knob still reduces the output headroom. Important: To obtain the best results and achieve the sounds you want, use high quality sample files and properly prepare them before use. There was an error submitting your subscription. Control the tail. Choosing appropriate samples is absolutely crucial to getting a good drum sound as no amount of... EQing Your Samples. I've filtered out everything in the sub range, below about 80 Hz, and added a presence boost at about 5 kHz to help it cut through the mix. I needed to find a studio that would allow me to capture the sound of a drum in the most natural way possible — and that requires space. Matthew has mixed for a host of star musicians including Akon, SisQo, Ozuna, Sonny Digital, Uri Caine, Dizzee Rascal, Arrested Development and 9th Wonder. My goal with the Maio Collection was to bring very characterized drums into 2014. Matthew Weiss is the recordist and mixer for multi-platinum artist Akon, and boasts a Grammy nomination for Jazz & Spellemann Award for Best Rock album. This sample also has a pronounced click at the top end, but this is unimportant as we will shortly be rolling off the teble using an EQ. That’s going to remove the drum rack and leave your sample. At it’s core, Hip-Hop music still needs to be about expression and creativity — and I wanted to pack that into my drum library in every way possible. As well as working with bands in the studio and producing digital music on a regular basis, he also works as a sessional lecturer, delivering courses on music production for various college institutions around Nottingham. Matthew Weiss is the recordist and mixer for multi-platinum artist Akon, and boasts a Grammy nomination for Jazz & Spellemann Award for Best Rock album. Now here we are in 2014, and I have to say that on the whole, Hip-Hop production has come a long way. Guess what: so is the output of your ASR or MPC when you overdrive the output. I remember when he went solo, and I remember when he cut his dreads. Collaborate. 12 dynamite drum processing tips. In order to do this I needed a few key ideas to come to fruition. For this example I used threshold of -12.6 dB and a ratio of 5.03:1. Some of the best out there. 7 Tips for Creatively Processing Drum Loops. I want my drum library to not only hit hard and sound great, but also inspire. I needed a spacious live room that was also very tightly acoustically controlled. Awesome. That little oxymoron should let you know it wasn’t easy to find. How To Process Electronic Drums - Modern Pop Music - YouTube In most modern music production, be it Pop, Hip-Hop or Electronic music, we may be dealing with a lot of drum loops or music loops that are (at best) just a stereo file. For this tutorial I have used samples from the Vengeance packs, which I have always found to be great. Blend in the sample with the dry signal Now that your samples are in phase and triggering correctly, you can bring them up in the mix and blend them to taste with the original drums. Design templates, stock videos, photos & audio, and much more. As you can hear, it's just adding a very subtle amount of top end. I think today’s drums hit harder, sample-style producers are using more exciting chops and bl… Share; Tweet; Matthew Weiss . https://theproaudiofiles.com/wp-content/uploads/2014/02/rhyme.mp3, How to Produce Magical Studio Performances, Black Friday Extended! Lead discussions. Shares (Image credit: Elena Peremet) MusicRadar's best of 2018: Creating a beat in your DAW is easy. Bring the samples up until their effect becomes apparent in the mix. I may process my drum subgroup with any of the aforementioned processes so that the drums really start to sit well together, and sound as if they belong within the same mix. Here is a sample of the type of beat you could expect to end up with at the end of this series of tips: Choosing appropriate samples is absolutely crucial to getting a good drum sound as no amount of processing will correct a sound if it wasn't right to start with. Now the drums are all sitting nicely together we can apply some compression to gel the samples together even more, and to help tighten up the sound. I’ve been a Hip-Hop head for over twenty years. I grew up with Rakim, Big Daddy Kane, Biggie, Arrested Development. On top of that, I needed a studio where I could track to tape, through a console, and with a sizable collection of vintage mics so I could emulate certain sounds. Get access to over one million creative assets on Envato Elements. Now we have our samples loaded in, I've layed them out on a track so they sit on every beat like this: To get our samples to sit nicely together a bit of EQ is necessary. Quick Tip: Drum Processing Part 2: Claps and Snares, Drum Compression: Get Your Attack and Release Times Correct, Adobe Photoshop, Illustrator and InDesign. Also, days and days of editing drum sounds can make one go a little bit batty. A lot of technical endeavors like manipulating phase, EQ, sound shaping with compression, and creative use of distortion transformed the drum samples into hard-hitting one shots. Finding the sweet spot to induce this distortion is a signature part of The Maio Collection, and one that is reminiscent of classic Hip-Hop. Quick Tip: Drum Processing Part 1: The Kick Drum Choosing Your Samples. © 2020 Envato Pty Ltd. One of the star aspects of The Maio Collection is the cymbals and hats. Not a bad thing, but not what I wanted. Using sample-based drums actually runs the risk of dating the production style. Hello folks, Matthew Weiss here. More than anything else, everything comes down to creativity. All you need to do now is make sure you’re playing the C3 in the MIDI clip. Get your drum tracks sounding bang on with these tried and tested techniques.