One thought on “ Parallel Compression in Ableton – NY Style by Rafael ” Ryan says: It would be a bit like having a mix control on a compressor on the master buss. Furthermore, to avoid confusion, rename each chain using the Command+R (Mac) or Control+R (PC) key command to make edits. The process of duplicating a signal and heavily processing one while balancing back in with the other dates back to the days of disco, where producers out of New York would duplicate the drums and heavily compress them in order to create more smack and power. One effective approach is to use the Dry signal to trigger sidechain compression on the Wet chain. Using the sidechain routing on Live’s Compressor, select the Dry chain as the sidechain key input. Currently, there is only a single chain created being processed by reverb. Before dragging in any effect device into the Rack, click the small button that shows three lines and dots. Forget musical typing and hit the right notes – without spending all your banknotes. Parallel processing within an Audio Effect Rack opens up several benefits. You can use any plugin you like for this but we’re going to use Live’s Saturator. If you have any ideas or parallel racks you’d like to share with us, we’d love to hear about them! The image above shows an example of series processing. Undecided, How would you prefer we contact you? Lower the volume of the ‘Compression’ chain and re-activate the ‘Dry’ chain by pressing the speaker button. Music Production Program On the second Chain, rename it ‘Compression’. For example, this technique is handy when you want the punch of the drums to cut through the mix, then have the reverb fill in the space around each hit. Parallel Processing in Live Parallel processing is a technique used to separate an audio input into different layers so that you can process those multiple signal paths independently. Now that you’re armed with this knowledge, it’s up to you to come up with your own ideas for parallel processing. I can also add an EQ to this chain to clean out the low end if needed. Bear in mind that you don’t always have to use Dry and Wet chains in your Racks. For example, I want the drums to maintain the punch and impact that the original dry loop offers. ICON Collective is a Los Angeles and Online college of music that teaches you core technical skills while unlocking your unique creative process. Furthermore, Audio Effect Racks are extremely flexible. Something new this way comes. This technique works out OK, but there are potential issues. 3. Lastly, you can save custom Audio Effect Racks into your User Library to recall in future projects. 2. Right-click and create another new Chain and rename it ‘Distortion’. Now right-click again and create another Chain. Compression Techniques: Parallel, Sidechain and Multiband – in Ableton Live June 22, 2020 / General / By vanesa.paris / no comments When we start learning about compression, we also start hearing the terms “Sidechain”, “Parallel” and “Multiband” a … Load in a drum loop of your choice – anything will work but softer acoustic drums can demo the process best. 7 Low End Mixing Tips That Will Improve Your Music, 808 Mixing Tips: How to Get Fat and Powerful 808 Bass, What is Multiband Compression and Why You Need It, How to Improve Your Mix with Field Recordings and Foley. Following up on our last tutorial about mastering in Live 10, it’s time to dig a bit deeper, and highlight two of the most important and most-used of Live’s mastering devices – Multiband Dynamics and EQ Eight. For example, using the parallel reverb rack example above, you can process the Wet chain further with some EQ or compression. This convenient feature allows us to apply an effect without completely changing the original sound source. Loading up a compressor into the new chain. Check out our Music Programs. You can also assign Macro controls to a Push 2 or other MIDI controllers for intuitive hands-on control. Alternatively you can shorten the attack time and turn the makeup gain back on to enhance the ‘tail’ of the sound over the initial transient. Sarah Schachner and Jesper Kyd on how they mixed modern techniques with ancient instruments for Assassin’s Creed Valhalla. Audio Effect Racks are easily expandable. Another potential issue is that not every audio effect has a Dry/Wet control to begin with! But alas, I must end this post for today. Does Waves’ newest multi-layered modulation plug-in offer us maximum sonic colour? Let’s take a look at some of the parallel processing techniques and sounds you can achieve in Ableton Live. Mix with the entire Beatport catalogue on virtual decks. This will double the volume of the current channel so don’t press play just yet. Select the first chain and press Cmd+R and rename the Chain ‘Dry’. The Chain List displays parallel device chains that split the incoming signal as it enters a Rack. One chain contains a Utility device, which I’ll use to make the signal monaural by enabling the Mono button. Parallel processing has become the technique de jour, be it compression, distortion or any other kind of sound colouration. Load Ableton’s Compressor device into the second Chain and mute the ‘Dry’ chain my clicking on the yellow speaker icon. The sky’s the limit! For example, Live’s Redux device does not feature a Dry/Wet control. For better or worse, there will always be some give and take with this approach. As a side note, when processing in series, the order of the effects is quite important. EQing pre- and post-parallel compression give you even more control over what you boost or enhance. Parallel processing can be achieved in Live using a variety of techniques. Parallel processing is different from series processing. Any Dry/Wet control will inherently turn down the Dry level while turning up the Wet level (and vice versa). What Are the Different Types of EQ and Filters? Combining these two unassuming features can garner inspiring results.