To learn more about our cookie policy, please check our Privacy Policy. If you set the attack time too fast, the compressor will clamp down on the initial attack of the drum, reducing its impact and snap. The compressor threshold determines the level in decibels at which the compressor “turns on.” In other words, if you set the threshold at -10dB, that means that when the signal reaches -10dB, the compressor starts compressing. Happy customers, one piece of gear at a time! This is a great way to “glue” the drums together after you’ve shaped each one individually with compression. Release is how long the compression is held. Bass Compression Settings: Attack: 2-8ms, Release: 0.4s/Auto, Ratio: 7 – 12:1, Knee: Hard, Gain red: 5-13dB. A decent starting point is to set the release around 200ms (or select “fast” if there’s no fine-control knob) and then adjust it to your specific drum hit. Parallel compression (some engineers refer to it as “New York compression,” because it was audio engineers in New York City that first popularized this technique) means blending compressed signal with uncompressed signal. The idea is to set the release to be fast enough that the compression turns off before the next drum hit. Also Load up a Software Sampler with a Kick Drum patch. Most of these tips assume that you’re using compression on individual drum tracks. Now we’re getting into some fancy tricks. That’s a great way to control peaks, but we’re compressing drums, and often we want the entire drum signal to be compressed. Thanks ur material is so helpful I would want to study with u for sound engineering how do I do tht, Contact us here https://www.computerproducer.com/contact/get-your-free-training-consultation-today/ – from there we’ll figure out the best way we can help , Computer Music Production School; Audio Recording School; Audio School in Florida, Atlanta, Los Angeles or anywhere in the World, Bass Drum Compression; Compressing a Kick Drum Tutorial, Speak with an Adviser and Get a Free Training Consultation, https://www.computerproducer.com/contact/get-your-free-training-consultation-today/, Recording an Album | Mixing Vs. Mastering, “In The Box” Mastering Tutorial with Pro Tools 9 and Waves Plug-ins, Tutorial. Compressors drop the volume of your audio when it gets louder than a predetermined threshold, which helps you tame loud peaks. Instead, set the compressor’s attack to kick in just after the initial attack so that the drum track keeps its initial crack and snap. The purpose of bass drum compression and compressing a kick drum tutorial is to make the ‘meat’ of the drums louder and to reduce the transients / peaks at the same time so that the kick can be punchier. Attack is how fast or slow the compressor reacts once it starts working. Ratio is how much compression is applied to the signal. Learn More. For example, your kick drum sounds different in rock versus jazz or country music. How to Master a Track in Fl Studio 10 Using Maximus – John Miller Productions – 2012! Using your own equipment, apply this kick drum tutorial until your ears begin to hear the subtleties of compression. You don’t want to compress the drums too hard at this stage — just gently squeeze the drum mix together by setting a higher threshold and lower ratio to reduce the dynamics by only a dB or two at the peaks. Subtle kick drum compression. Compress In Stages. When setting the threshold this way, you will need to adjust the output. Tutorial: Compressing a Kick Drum: 1) Import a Kick Drum Audio Sample into your Audio Sequencer. When compressing a kick drum, you are listening to the fatness or the punchiness of it. Proper use of compression will let you clamp down on the tracks without crushing them, and also let you shape the snap, crack, and sustain you want in your drums. Cursos de Produccion Musical, Tutorial Como Agrupar Voces Y mesclar En Cubase 5, Mastering 101: Basic Mastering Tutorial – Part 1. Setting a high threshold means the compressor will only activate when the signal gets really loud. But if your compressor doesn’t have a mix knob, you can always put the compressor on an auxiliary track and then use a send on your drum track to route signal to the compressor, and the fader on the aux track to blend in the amount of compressed signal you want to hear in with the uncompressed signal. You can think of it the opposite way you thought of adjusting attack: the attack value should be slow enough to let the drum’s snap and crack through, but you want the release to be fast enough so that it lets go of the signal before the next drum hit. A low ratio lets more dynamics through, since the signal won’t be attenuated as much. Phone Hours | Everything you love about Sweetwater in the palm of your hand. Kick Drum Compression is Essential. Ratio: 6:1; Attack: 3ms; Release: 200ms; Threshold: adjust for about 8-10dB gain reduction; Drum processing plugins for your DAW Applying EQ and compression are one of the most important things you should consider when mixing kick drums. I recommend using compression often — on individual instruments, submixes, and even full mixes — but use it judiciously! Exclusive deals, delivered straight to your inbox. By decreasing the attack time, the kick will be punchier. Here are some useful tips for using compression on drums to add punch and excitement while still keeping the dynamics under control. Configurar interfaz de audio con Cubase 5 (español), El ecualizador, Tutorial de ecualización en Cubase, como y cuando ecualizar, FL Studio 11 – The Secret To Mastering (Producers Dont Want You To Know This – @Iamdtruman). This will ensure you find the sweet spot for the kick in the mix with the rest of the track. Ratio: 3:1 or 4:1; Attack: 4ms; Release: 200ms; Threshold: adjust for about 3-6dB gain reduction; More “in your face” kick drum compression. 2) Load up to 3 compressors on the Audio Track’s Insert Channel and on the Software Sampler’s Insert track. With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more. Also Load up a Software Sampler with a Kick Drum patch. The release control determines how quickly the compressor shuts off after it’s first triggered. There’s a lot of stigma around using triggers on a drum set. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. If you have any questions about drum compression products, don’t hesitate to reach out to your Sweetwater Sales Engineer at (800) 222-4700. A good place to start with drums is to adjust the ratio to 4:1. This website uses cookies to improve your experience. Kick and Snare Compression Settings: Attack: 1-5ms, Release: 0.2s/Auto, Ratio: 5 – 10:1, Knee: Hard, Gain Reduction: 8-15 db General Compression Settings: Attack: Fast, Release: 0.5s/Auto, Ratio: 5:1, Knee: Soft Gain Reduction: 8db General Mixing Compression Settings: Attack: Fast, Release: 0.5s/Auto, Ratio: 2 – 5:1, Knee: Soft Gain Reduction: 2-9db Vocal Compression Settings: Attack: Fast, Release: 0.5s/Auto, Ratio: 2:5 – 6:1, Knee: Soft, Gain reduction: 5-12dB. Using a DAW, you will want to use compression with a plugin on the insert of the track. Either the kick will need to be bassier or it will need to be punchier to cut through the mix so as not to interfere with a sub bass instrument (if present). Kick Drum Compression Settings | 5 Steps to a Perfect Kick The Balance Between Transients and Resonance. Use your ears here, not just the signal level on the meters. 3) Experiment with the Compression Settings and the different characteristics of each compressor. 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Make sure the output is the same level as the input before the signal was processed (use the bypass function to check this).