As with your 3-octave scales, use the metronome for evenness. G Major C Major 44 ... Violin 1 and 2 Octave - Major Shawn Boucké Scales - Arpeggios - Broken 3rds. Use Galamian turns at the beginning and ending. Speed: in eighth notes; quarter note = 60, 80, and 100. x��]���q����X���+���e� 0��&�E�ęq���xf�_�o��T%��NK��ٛ�Y,�,V�U���}��Q=�W������y���׿�K����U���~͟�����G�LϮ�T=�ah��Q����G�=�v��?ҫ{���TM����}��1=�v_cJ#��r_wϮ6$��S.>���ӳ�!ešr Concentrate on at least two of the following areas every day: 1. Practice the finger patterns using as many doublestops as possible, so that you are practicing many notes at once, rather than one finger at a time. Posture: checking in mirror; shoulders down and back; shoulder blades sliding down back; violin supported easily; alternating thumb and neck holds; head above neck and not forward; space at underarms; space between arms and torso; soft left arm; knees not locked; body balanced over pelvis, legs, and heels; leg base comfortably apart; shifting weight; vibrant body connected with the earth 3. Your scales and arpeggios are the two most effective targeting tools you will have in building your technique. This exercise is designed to help you increase your comfort and agility in all positions, develop confidence and accuracy in all positions, and improve coordination. Work to keep the half-steps close. Make sure your intonation is consistent. 3 OCTAVE SCALES – 30 minutes a day Goal 07: Listening and Playing with Others. Memorize each arpeggio fingering as you go. ... An even more contemporary scale and arpeggio study book with a jazz/rock influence is Mark Wood's Electrify Your Strings. Rhythm: using metronome; perfectly even left hand; at different tempos; necklace technique; using the acceleration exercise found on p. 5 of Ivan Galamian’s Contemporary Violin Technique Part I; using Galamian rhythms from Part II; in dotted rhythms Play the 3 Octave Scales (Major, Melodic Minor and Harmonic Minor) without stopping. D. 2 Octave / 1 String Arpeggios – 10 minutes a day, rotating block. Pay particular attention to the smoothness of the motion you use getting from low to high positions; release going down and up. Use Galamian turns at the beginning and ending. Pay particular attention to your left-hand alignment. Speed: quarter note = 76, 100, and 120. (The following sections have suggested practice times based on a daily working schedule of four to six hours. #�� ����C-�mK4;�@�@KiX�Bd���-!����fG�1��~,�A;�D �r+��`����#�ݎO|cÛ�z�-���Ƨ@���mZ�͑G�� ���͚ry,�0�K���=�G��m]5�c��}�/?�uK��3R����)I�ш�C �f�aM�%QWK��@����` 9�я��K�ƥ�)7DR�k����a�FÚ`���/Kn�J�Ss/.�"�/7�"2o�{��>��"����1�� �-'�YBÚ�0�H���0�1CK[YW��zV���1�n9�K�3@n�h�X�� �D���5��ܑH�4>� �$I�ún�L��r��-\� 9o|��-l�Ua�yK$�6��Ȣ���4�+�l�>��[ ����eّ^���U�[|�ɇk[���^�������|3�a�c4��O�[و�f�X��ҙ02a�2C��CE��!�*u�*Ǭ����� �� �֖�b�H��BÚ2K$��Ҕ�X�yK\��`$��c�. The hand shapes, at least with my finger patterns, are consistent, and do not change over the course of each arpeggio. One bow up, one bow down. Keep your left arm very relaxed so that you will not experience tension in these very high positions. Use Galamian, starting with top fingerings. 8 notes per bow. B. LEVEL A. c�>fƑ6���T㣮��X!G���j���m��y��"wu�ٚ|��M]B#6�(:4��b�k���=gA<=��~5�����ڮ�@,t[�g��-G�@d�l^�F$�e0�h�h4�)�1#���t$�,�ʯo��i�fQj�Fa�4�0��2�(��6F�H�,!�r}"�YBÚ>�`c���j���0��q|6U]����-@��F�mm����E5�ؖ��1̂4ΟaM9�{)��j4>ʪ�����ݣQ�S3���f|N ;f��6��H��a@�j�@$�&YZX�6g6�xj kZ���{���FY?��k�&ژy6�����* ��6��e#��������'@g+c,X��O�PC"��5�@Hh) ksĺ{V jЌ�I �]�o�'b��\�� �1�֔Y a��4�-��תb�i;�씳��n S�m�� (Notice that the sequence is quite different from Flesch.) 3-Octave Major and minor Arpeggios: It seems to be more beneficial to teach these first. Evenness of tone: drawing bow with constant speed, especially at slow tempos; constant sound vs. changing pressure; smooth bow changes; no portatos; sounding point and bow angle February 13, 2018 ViolinSchool ... How to play a G major scale on the violin. Use the key signature of one of today’s 3-octave scales. Keep intonation consistent. Be focused, be disciplined, and be creative. Does your left hand look uniform throughout, or does it collapse or change shape at certain points? Here's G Major in 1 Octave (separate and slurred bowings) ... click the image to listen and play with the music! LEVEL C. Learn the Galamian bottom fingerings. LEVEL D. Play through all arpeggios daily. 3-Octave Major and minor Arpeggios: It seems to be more beneficial to teach these first. This video teaches you to play 3 octave G major scale. Memorize and then try to run both Galamian fingerings. -�կ��t���j�–��ޅ���zM������`� ���&%�r}"Yˆ5}�A Finish with a G scale returning to low G string. V. Combination Slow-Fast Scales – 10 minutes a day, rotating block. Play 3ds, 6ths, 8vs, and 10ths in 2 octaves scales, straight up and straight down. Pay particular attention to the beauty of your sound when you are up high; do not put too much arm weight into the string or you will overpower it. III. Alternate fingerings on each day, but spend two days in a row on 1234-1234. Feel the weight of your whole hand in the upper positions as it falls through your finger into the fingerboard. Intonation: using drone; with all possible doublestops; checking each note against open strings; ultimate listening; stop-and-go 2. After you click "Subscribe," check your email and confirm that you want to "Follow The Ideal Violinist." These are big shifts and must be smooth; do not squeeze with the thumb and 1st finger. << /Length 5 0 R /Filter /FlateDecode >> 4-Octave Scales – to be added when 3-octave scales are fluent – 10 minutes a day, rotating block. This exercise is designed to help you increase your comfort and agility in all positions, develop confidence and accuracy in all positions, and improve coordination. Try to stretch all your fingers out in advance of the pattern. Matthew’s two octave scales are pretty solid and he seems quite comfortable with a variety of first position finger frames; it’s definitely time to begin G major scale in 3 Octaves! One bow up, one bow down. A. Play the 3 Octave Scales (Major, Melodic Minor and Harmonic Minor) without stopping. 5. Begin to incorporate spiccato and mixed bowings. Let the fingers drop with elasticity and lift with electricity. Play as many doublestops as you can so that your fingers learn the patterns. If you don’t have that much time, reduce the times accordingly.). Put the fingers down cleanly and clearly, without pulling the string sideways. Start with G and go up chromatically. Keep the shifting curve smooth, and anticipate with your elbow as you go up. Play the 3 Octave Arpeggios (Flesch sequence). This may be studied with an acoustic instrument and is well worth examining. C. 1 Octave / 1 String Arpeggios – 5 minutes a day, rotating block.