Then we recorded a whole bunch of old delay and echo units – like the Roland Space Echo, WEM Copicat and Morley Oil Can – and asked ourselves, What gives them their character? Also, we have up to 50% off many packs and online courses in the store. It makes sounds the way I like them!”. It has a colour; a way of working. But surely serendipity isn’t the only force behind Live’s new creative tools? And delays in themselves are so powerful. You can do envelope-followed flanging or delay lines and this sort of stuff. So in this video, Guido from CatandBeats will show you how to compress your drums with Ableton Glue Compressor. For more news, blog posts and videos, sign up for the Ableton Newsletter. Posted on March 12, 2018 in Downloads, “It was kind of a fluke” admits software developer, Marc Résibois, about the conception of Live 10’s new Drum Buss device. “You have to choose between simple and more sophisticated models for every part of the device”, adds Marco. It’s a sound that the latter band’s guitarist, Jimmy Page, described as outright “rude”. And then you reproduce it digitally with a mathematical model.” But aside from Echo’s analog-modeled filters – which Marco mentions “distort, compress and saturate” – the effect is no copycat. But many early user-testers wanted access to what's behind those controls, so we decided to expose quite a few of them, like the noisy elements for example. But what is Mid/Side? “We felt a slight dissatisfaction that we didn’t have any modulated delays in Live” reveals the Sound Team’s Christian Kleine. “So yeah, it was made for buses, but like with a good hardware unit, you should feel free to abuse it on anything!”. Echo grew a Mid/Side mode quite late in the process after early feedback from music makers – “We thought about about it, tried it and it was so interesting, we had to do it”, Christian enthuses. If something is technically crappy but still sounds great, to me that’s wonderful! We tried to get the essence of the pedals.”, But how do you go about capturing this hardware spirit? Herein lies a new challenge. Enter your email address to stay up to date with the latest offers, tutorials, downloads and more. Newer Post →, Mastering with Ableton stock effects (Free Download), 12 Best VST Plugins for Professional Vocal Mixing, Top 7 Vocal Recording Techniques – Secrets For Killer Vocals, Making a Track from Start to Finish (in Session View), Boris Brejcha Style Track from Start To Finish, Anjunadeep Style Track from Start To Finish, PML Premium Bundle FAQ: Your Questions Answered. The team also passed on some insider’s tips on how to use the effects in your music. Sonically it really does have its own character. to view cart and checkout. Item added to cart. Using a guitar, the amplitude of the note can be used as modulator for the delay line. An acoustic kit processed with Drum Buss – from subtle to heavy treatment. Coming from a musician's background, I had a clear idea of what I wanted things to sound like. And finally, you may want to add a subtle layer of compression on your mix bus (this will, of course, affect all the tracks in your mix — not just the drums). With Echo and Pedal, however, it was a case of concrete inspiration from hardware. “I had this code for a filter that I’d been playing with for a while; I really liked the way it sounded. Sometimes it’s fairly simple to introduce artificial randomness, but in other cases it’s very challenging. Some tips from 74 Creative Strategies for Electronic Producers. ), “Well, you can combine cleaner digital sounds with analog noise in useful ways”, Marco explains. Matt echoes Christian’s words about character and spirit: “I think what’s interesting is that we actually didn’t emulate a specific pedal. The devices’ creators gave us some tips, and came up with some audio examples to demonstrate them. First, we’ll load Drum Buss over our electronic kick drum. We listened to a variety of classic stomp boxes and tried to combine the different characteristics and elements in a way that worked harmoniously. (You can download the preset files of the settings used to create the following audio clips. “Our existing delay effects are quite clinical – we wanted something that could drift a little more. People have started using it for kicks, snares, single percussion elements or even synths – all with very convincing results that don't necessarily carry any Drum Buss imprint. I usually end up with code that has 'spirit' but doesn't behave very elegantly – I often make mistakes. So we spent a lot of time tweaking – probably 75% of the time was spent finding the right balance between the various processing elements.”, A fine balance between Drum Buss’ elements means a broad sweet spot of desirable sound. Drum Buss is part of Live 10 Standard and Suite. In the last few days, we've received different questions... Mixing and Mastering a Track from Start To Finish (Full Course). User testing can play a big part in the creative decision-making process. By approaching compression in this layered way, you’ll achieve a drum sound that’s up-front and impactful, without sounding lifeless or overprocessed. ", Synth bass processed with Echo’s Mid/Side mode, Though the teams behind the three effects were small, they nonetheless fostered divergent points of view. It helps to get more sounds out of Amp and Cabinet, bringing the kind of extreme saturation made famous by a long list of guitarists, dating back to the 60s, topped by the likes of Jimi Hendrix and Led Zeppelin. The happy accident that helped create the Drum Buss prototype sounds much like the kind of creative spark that leads music makers to a new track. “But we also wanted it to be efficient”, Marco points out. An engineer might not have the same vision, but a better technical perspective. Of course in the analog world, you can’t separate these.”, “The way you can modulate things goes way beyond what you could do in any of the hardware pieces [whose sound inspired Echo]”, says Christian. We spent a lot of time experimenting with how to best achieve nice-sounding noise and wobble, for example.”. The handful of parameters in the Drum Buss device, Marc explains, needed careful calibration: “We had the Boom section in place, then after some initial user testing we added crunch and later transient shaping, compression and other elements. And he will be sharing his setting that "works nine out of ten times" - which is great! Some people even use this type of effect on vocals to add a bit of brilliance; like an exciter. It’s just a fun device – you can happily play with the feedback for 10 minutes if you want”. Watch Talks, Performances and Features from Ableton's Summit for Music Makers. Marco adds, “I like the weird robotic sounds you can get by setting small delay times, adding lots of feedback and modulating the time with a Random LFO setting.". Prioritizing which functions to include needs testing with others, listening and making music with it.”, There were other balances to get right. Get started with synthesis using a web-based synth and accompanying lessons.